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Catherine McCaw-Aldworth was born in Darlington 1998 and since has lived all over the UK and Spain. Catherine recently graduated from The University of Creative Arts on BA Fine Art and is currently completing an MA Fine Art at UCA Farnham.

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Working in multiple medias, Catherine’s work and practice focuses around the connection between the body and domestic, exploring the relationships our bodies and our discarded materials have within the physical home. She also ­finds interest in exploring ideas around a metaphorical home, a non-domestic space such as heaven. My work is rooted in a deep curiosity of our dwellings and homes, their appliances, and furniture. There is a certain object-orientated ontology in which we, as humans amongst other objects, can identify and attach to, and it is from this ontological position that I investigate the home. I often make connections to female identity throughout the home, to make sense of the female body's relationship to the domestic space. My current practice produces sculpture and installation but also features photography and video in certain areas. The materials are always unpredictable, it can be all smooth sailing, and the next minute materials temperamental and mischievous; nothing will go my way. It keeps me in a constant challenge, work can never be exactly replicated or refabricated. Using these unpredictable materials where an element of failure is almost always present shows the decomposition and impermanence of the work, much like the impermanence of our own materiality. It also brings forth ideas of play and often evokes memories from childhood, sometimes using overwhelming sensory elements such as smell, touch, and taste with the intention to trigger nostalgia and to allow the viewer to connect to the work, through sense memory and personal experience.

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Sigmund Freud said in his essay on the uncanny that “the Uncanny is something hidden which ought to have remained missed but which is brought to light.” This is what I look to create in my work; hidden meanings and connections left behind in everyday things, perhaps a forgotten memory or a missed connotation, an underestimated intimacy or an unconventional comfort. I look to seek out these underlying things and bring them forward to be seen by the world.

 

 

Born: Darlington, Co. Durham 1998

Currently lives and works in Farnham, Surrey

Email: catherinemccawaldworth@gmail.com

Instagram: @catherine.mccaw.art

 

Education

 

2017- Present                    BA Fine Art, University for the Creative Arts, Farnham

2016-2017                          Foundation Diploma in Art and Design, GCS Llwyn y Bryn

 

 

Exhibitions

 

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2021     Do it Yourway - Online Exhibition

2020     Fronteer Lockdown - Online Exhibition

2020     The Comfort Zine - Online Publication

2020     Get off yer Arse - Online Publication

2019     Champagne taste, Beer budget – The William Cobbett, Farnham

2019     Pie in the Sky – Proteus Creation Space, Basingstoke

2019     No Fit State -- Asylum Space, London

2019     Domestic Disharmony – Unify Project Space, Farnham

2019     Pint Sized – Brewery Tap, Folkestone, UCA Project Space

2019     To Be Confirmed - The Offside Project, UCA, Farnham

2019     Dictionary of Received Ideas – Elaine Thomas Gallery, UCA, Farnham

2018     Fragmented – The Offside Project, UCA, Farnham

2018     Stretched – Linear Gallery, UCA, Farnham

2018     Cut-and-Shut – Arts Space Portsmouth, Portsmouth

2018     Untitled/Unmastered – The Menier Gallery, London

2017     Las Meninas – Linear Gallery, UCA, Farnham

2017     Visual Arts Summer Show – GCS Llwyn y Bryn, Swansea

 

 

Curatorial Projects

 

2019     Pie in the Sky, Proteus creation space, Basingstoke

Co-curating with fellow artist Eleanor McLean. Overseeing general tasks and corresponding with gallery. 

 

2019     Dress for change, Guildford

Group intervention piece, took place in the nightlife scene of Guildford. Group wearing screen printed dresses of feminist quotes. My role was to contact and secure artists to work with and also help to coordinate communication in the group as well as being a team leader.

 

2019    Domestic Disharmony, Unify Project Space, Farnham

My role in this exhibition was the head curator and gallery technician. I booked the space and sought out the other artists with which I exhibited work. I took charge of all the paperwork and floor plan. I was the director for the install ad deinstall.

 

2018/2019     Black Box, UCA Farnham

My role as a part of the Black Box team is to help bring external artists into the space, coordinating with them about their work and how they envision the exhibition. Also, being a part of the invigilating for the events, advertising, fundraising and visiting external shows nearby to represent the Black Box team.

 

2018    Gallery technician for Cut-and-Shut exhibition, Arts Space Portsmouth

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2018    High and Dry exhibition, Brighton

My main role was to find all the artists and contact them throughout the entire process, as well as coordinate them and their work. Contacting and discussing permission for land usage with the local council. Managing and co-ordinating the group. Overviewing the financial aspects of the install and also arranging transport for the pieces.

 

Work

Gallery Assistant at The University for the Creative Arts;

Working alongside artists and students to install and deinstall art work. Sorting through art archives and paperwork. Preparing the gallery spaces. Curating smaller exhibitions.

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